A collection of some 28 short stories that loosely tell the story of the human colonization of Mars between the years 1999 and 2057, Ray Bradbury’s “The Martian Chronicles” is one of the classics of science fiction, and one of the first science fiction books to be seen as art. Bradbury’s lyrical prose style illuminates these tales, elevating them above the work of his contemporaries.
While the Mars he depicts is very much an early twentieth century vision of Mars, with canals and Burroughsian Martian natives, it remains one of the greatest works of science fiction, and has never been out of print since its initial publication. About half the stories in it had been published previously as short stories; the other half were original, and later editions contained still more new stories of Bradbury’s Mars.
First published in February of 1951 (the exact day is, alas, lost to history), ‘The Illustrated Man’ is a volume of some eighteen short stories, loosely connected by a framing device: the title character. The Illustrated Man is a carny worker, and each of the stories in the book is represented by one of his tattoos.
Only one of the stories was original to the book, although several of them were revised by Bradbury to better fit the frame concept.
Bradbury’s best known novel is a savage and dystopian satire of media trends in Bradbury’s day. He foresaw such implausibilities as wall-sized tv screens with hundreds of channels of aneasthetizing pap playing 24 hours a day, while literacy was not merely rare but close to outlawed. It was a world where firemen start fires instead of putting them out, but only to burn books.
As such, it played into the prejudices that every new medium has faced, that it would enfeeble the minds of those who followed it. “Fahrenheit 451” depicts a world where every channel is Fox News (or some close affiliate), and the only escape is to destroy it all and start anew in the ashes of the world – although Bradbury himself (an Emmy winner) presumably has a more nuanced attitude to the glass teat than this novel would indicate
Adapted from his 1953 short story of the same title, Ray Bradbury’s “Dandelion Wine” is one of his best known books. It consists of a series of short stories linked together by recurring characters and themes. The book follows the exploits of Douglas Spaulding, a 12 year old boy, across a summer in his small town named Green Town. It has a sequel, “Farewell Summer” and a related book of vignettes entitled “Summer Morning, Summer Night”. Thematically, it is also linked to “Something Wicked This Way Comes” which addresses similar ideas with a different set of characters.
It is widely considered Bradbury’s most personal work, and Douglas Spaulding is an obvious stand in for a young Bradbury. The book has been adapted into film and radio, and remains a good seller.
Like the related Dandelion Wine, Bradbury’s novel Something Wicked This Way Comes (a title taken from Macbeth) is largely inspired by his childhood fascination with travelling carnivals. In particular, when Bradbury was 12, a carnival magician named Mr Electrico exhorted him to “Live forever” – Bradbury began writing the next day.
The novel was a great success for Bradbury, both critically and commercially. It has been adapted for film, stage and radio – the first film adaptation was even written by Bradbury himself – and has greatly influenced the writers who followed Bradbury, especially those who, like him, blend horror and fantasy elements in their works. In particular, Neil Gaiman and Stephen King have both cited this novel as a major influence on their own writing.
“S is for Space” is a collection of science fiction short stories written by Ray Bradbury and published by Doubleday. It was released in August 1966, and sold respectably (for a science fiction/fantasy hardcover).
It included 14 stories, including the classic “Dark They Were, And Golden-Eyed” (which later gave its name to a bookshop in London that specialised in science fiction and fantasy books).
Originally written in 1967, “The Halloween Tree”‘s first incarnation was a script that Bradbury planned to turn into an animated film in collaboration with Chuck Jones. When those plans fell through, Bradbury re-worked it as a novel, which was published in 1972.
Twenty years later, he finally got the chance to do it as the animated film he’d planned, although alas, Chuck Jones was not involved. Regardless of this, the animation was produced in 1993 with Bradbury himself providing the voice of the Narrator, and went on to be a commercial and a critical success. It also made Bradbury one of the few winners of a Hugo to also win an Emmy.