John Batman was a Tasmanian who organised a syndicate of investors to fund him and some other settlers to build a new village on the banks of the Yarra River. Of course, this land was already occupied by the tribes of the Kulin nation, primarily the Wurundjeri and Boonwurrung, each of which greatly outnumbered the small group of settlers Batman led. Thus, Batman made a deal with the chiefs of the Wurundjeri, purchasing a small stretch of land. In time, the village would become Melbourne (today a metropolis of more than four million people, very few of them members of the Wurundjeri or other Kulin peoples).
However, there are many grounds on which to dispute Batman’s treaty. It is a matter of some dispute whether the tribesmen Batman dealt with understood the deal they were making in the same way Batman did – among the Kulin people, as among most Australian Aboriginal peoples, land was not owned by individuals in the same way it was by Europeans. Legally, even by the standards of colonial empires, Batman was also on shaky ground, as he had no authority from the Crown to make such a deal. And while it does appear that, at least to start with, the colonists made efforts to deal in good faith with the various Kulin peoples, misunderstandings were inevitable between two such disparate peoples, leading to bloodshed on several occasions. Later colonists, who were not party to the original deal, treated the Kulin (and in time, the other native peoples of Victoria) much worse. Batman, like so many of the natives, was dead by then.
For a silent film running only 15 minutes, Un Chien Andalou casts a long shadow. It is seen as a predecessor to both low budget indy cinema and modern music videos. It helps, of course, that it was made by Luis Bunuel and Salvador Dali, and is widely considered to be a masterpiece of Surrealism. But consider that it was Bunuel’s first film (Dali’s too, but he was already famous for his painting).
And, of course, it opens with what is still one of the most shocking scenes in cinematic history, an eyeball being cut open with a razor. (Don’t worry, it’s not a human eyeball – it’s that of a dead donkey. That is Luis Bunuel weilding the razor, though.) The rest of the film is a dreamlike series of disjointed images and scenes which creates a level of confusion in the audience that it takes Chris Nolan 2 or more hours to acheive. You should definitely see it if you haven’t yet.
Edward Snowden became a household name when he leaked a series of explosive documents detailing the NSA’s PRISM program, which was allowed for warrantless surveillance of a vast amount of the internet. Email, chat, voip, social media, file transfers and other data usage – there are several companies providing this information, and the exact details of what data is available vary from company to company. The list of participating companies includes Microsoft, Yahoo, Google, Facebook, PalTalk, AOL, Skype, YouTube and Apple – and all these companies are willingly cooperating the the US government (and certain of its allies) to provide this data.
The leaks were first reported in The Guardian and The Washington Post, but the world media was quick to pick up on the story, and further leaks were published by those two newspapers and others. Reaction was mixed: some saw Snowden as a hero, others as a traitor.
The PRISM program continues largely unchanged by the revelations, although it is claimed that some terrorists have changed their communication patterns in attempts to evade it.