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Alfred Bello, and his partner-in-crime, Arthur Dexter Bradley, were small-timers. Knocking over factories was their style, and the last thing they wanted to was to get involved in anything more serious.
But on June 17, 1966, they saw two men leaving the Lafayette Bar and Grill in New Jersey – two light-skinned black men, one carrying a pistol, the other a shotgun. They gave statements to the police, and tried not to incriminate themselves.
If that had been as far as it went, it might have been okay. But on October 14 of that year, Bello fingered Rubin ‘Hurricane’ Carter as one of the shooters. His testimony was essential to the guilty verdict that sent Carter to prison for murder.
In 1974, Bello recanted, claiming that the police had pressured him into making the statement. In 1975, he changed his story yet again, leading to the 1976 over-turning of the convictions of Carter and his alleged accomplice, John Artis. The pair were tried anew and convicted again. Their convictions were over-turned permanently in 1986.
Cecil B DeMille’s “Samson and Delilah” was the second film version of the tale, and the first to be in colour and sound. The marquee stars were Hedy Lamarr and Victor Mature in the title roles, along with George Sanders as the Saran, Angela Lansbury as Semadar.
The film would go on to become the highest grossing film of 1950, and win two Academy Awards (for Costume Design and Art Direction). A portion of the film’s sets and production would later be recreated in Billy Wilder’s “Sunset Boulevard”, with De Mille playing a character based on himself.