A horror movie based on Wade Davis’ non-fiction book about the case of a ‘zombie’ in Haiti, “The Serpent and the Rainbow” was directed by Wes Craven (best known for the “Nightmare on Elm Street” film series). It starred Bill Pullman, leading a cast of mostly unknowns.
It was a very loose adaptation of the book, with considerable liberties taken with both Davis’ account and the facts, but a lot more horror added. It grossed a respectable US $19 million, well over double its budget.
“Two Moon Junction” was a fairly forgettable erotic thriller from 1988. It actually had a fairly reasonable cast, featuring Louise Fletcher, Milla Jovovich in her first film role and Burl Ives in his last, but given that it was an erotic thriller, it was naturally the beautiful and desirable Sherilyn Fenn who was front and centre.
The film was neither a great flop nor a great success, although it did well enough to inspire a direct to video sequel some years later. In fact, aside from inspiring Screaming Jay Hawkins to write a song about how much he wanted to have sex with Ms. Fenn as a result of it, the film contributed little to the world. Hawkins did have a point, though.
Die Hard was the first film in what would become one of the most popular franchises of the last three decades. A massive commercial success, it also created a set of expectations for the career of Bruce Willis: people expected that his every new film would start a franchise. From Hudson Hawk on, through The Last Boyscout and Striking Distance, every film was supposed to be the foundation of another great franchise.
But these other characters did not have the staying power of John McClane. It turns out that the same shit tends to only happen to the same guy once when it comes to successful film franchises (unless that guy is Harrison Ford, obviously).
In 1988, the anonymous masked men who comprise TISM a.k.a. This Is Serious Mum released their first album, “Great Truckin’ Songs of the Renaissance” (actually a double album, although a single CD). This 27 track magnum opus featured a mixture of songs, snatches of interviews, random strangeness, and the poetic ranting that is “Morrison Hostel”.
It reached #48 on the Australian charts, and failed to chart anywhere else. There are any number of reasons why this occurred, but the unavailability of the album on any basis other than import probably had a little to do with it.