Also known as “Aloha from Hawaii Via Satellite”, this Elvis Presley concert was broadcast live from the Honolulu International Centre to South East Asia and Oceania. 28 European countries saw it the following day, while citizens of the USA had to wait until April to see it on tv (its original broadcast date conflicted with Super Bowl VII).
Of course, there was another way to see it: you could buy a ticket. Tickets went on sale in Hawaii a week before the concert, and all the funds raised by the concert (US $75,000) were donated to the Kui Lee Cancer Fund. That figure includes $1000 donated by Elvis himself, who took no payment for his performance. The concert cost an estimated $2.5 million dollars to stage, and Elvis Presley Productions claimed that 1.5 billion people watched it, a figure which has largely gone unchallenged (despite that fact that the total population of all the countries it was broadcast to was at that time less than 1.3 billion people).
The Sunbury Pop Festivals were intended to be Australia’s Woodstock. Four of them were held, in late January of each year from 1972 to 1975. The 1973 festival is one of the best remembered, largely due to the first release from Mushroom Records, “Sunbury 1973 – The Great Australian Rock Festival”, a three album set of the festival’s highlights.
About 25,000 people attended the 1973 festival, and performers who played there included The Captain Matchbox Whoopee Band, Billy Thorpe & the Aztecs, Spectrum, Max Merritt & the Meteors and Johnny O’Keefe (who was initially booed off the stage, but won over the crowd to such an extent that he ended up doing several encores). The MC for the festival was the comedian Paul Hogan.
Between October 13, 1972 and Funerary 13, 1973, Herbet Mullin killed a total of 13 people. The last of these, Fred Perez, was an elderly Hispanic gentleman who was unfortunate enough to be working on his garden when Mullin drove by. For no readily apparent reason, Mullins did a u-turn, came back, shot the man, then drove off.
All of this took place in broad daylight, and there were several witnesses, one of whom called the police and gave them the license plate number of Mullin’s car. He was arrested within minutes of this phone call, and readily confessed to all his murders. Herbert Mullin is currently serving life imprisonment for the crimes, after trying and failing to use the insanity defence.
“Some Mothers Do ‘Ave ‘Em” was an iconic British sitcom in the 1970s. Its lead character, everyman Frank Spencer (played by Michael Crawford), went from disaster to disaster, and was terrifically annoying – yet somehow, Crawford’s performance (and the writing) never made him unsympathetic.
“Some Mothers Do ‘Ave ‘Em” ran for a total of 22 episodes, split into three seasons (7 episodes in the first season and 6 in each of the other two) and three Christmas specials, the last of which screened in 1978. It has frequently been repeated in Britain and throughout the Commonwealth, being particularly popular in Australia (which, in turn, lead to a plotline about Frank moving to Australia in the final season).
In his last years, Picasso’s productivity dropped off from the manic peaks of his youth. To be fair, he was in his nineties by then, and in all his decades, had created more than 50,000 works of art ranging from sculptures to sketches, in addition the paintings he was most famous for. He had certainly earned a quiet retirement, and he seemed for the most part content with his lot, if disappointed by his exile from his native Spain.
His last sketch, entitled “Couple” shows that although he may have slowed down with age, he has lost none of his skill or talent. His last painting had been created some years earlier, but showed a similar spirit. Picasso would die only a little later in that same year, during a dinner party with some friends. His last words were “Drink to me, drink to my health, you know I can’t drink any more.”
One of the truly great albums of all time, Pink Floyd’s The Dark Side of the Moon was something of a change of pace for them – it featured more (and tighter) vocals and fewer instrumental breaks. In many ways, it was the most commercial album of their career thus far, and spawned two hit singles: “Money” and “Us and Them”.
The album charted highly, although it was quickly pushed off its peak in each market. More notable was its longevity – in both Britain and America, the album remained in the top 100 charts for over a decade, and it is one of the top ten selling albums of all time. In addition, it achieved widespread critical success, being highly rated in numerous surveys of both fans and critics ever since its release more than 40 years ago.
If you don’t actually own a copy yourself, you probably know at least five people who do.
“Bad, Bad Leroy Brown” was to be Jim Croce’s last number one single – it was released only six months prior to Croce’s death in 1973. In the song, Bad, Bad Leroy Brown is a big tough guy from the South Side of Chicago, who doesn’t take crap from anyone – until one night he meets a man who is bigger and tougher than him.
“Bad, Bad Leroy Brown” was the second single from Croce’s fourth album, “Life and Times”. It earned Croce two Grammy nominations (for Pop Male Vocalist and Record of the Year) and was still on the charts at the time of Croce’s death, having spent three months climbing to number one and three months descending.
Dean Corll was an American serial killer. Born in 1939 in Fort Wayne, Indiana, he served in the military briefly, but was discharged after only ten months when his mother needed medical care.
By 1970, Corll had started murdering young men around his home, mostly hitchhikers whom he hoped would not be missed. Along with two younger accomplices, David Brooks and Elmer Henley, he is known to have killed at least 27 teenaged boys and young men.
Corll’s own death occurred when he lost an argument over possession of a handgun with Henley, who shot the older man six times. Henley then called the police, and confessed to his part in killing Corll, and participating in the murders of others.
It’s a rare country and western song that breaks out of its genre to become a mainstream hit, but Charlie Rich’s 1973 song “The Most Beautiful Girl” is such a song. It reached #1 on the US, Belgian and Canadian charts, #2 in the UK and Ireland, and various top ten positions in Australia, France, Holland, Denmark and Norway. It took three months to climb to the top of the US charts, and held that exalted position for two weeks (it was knocked off by Jim Croce’s masterpiece, “Time In A Bottle”, which is certainly no shame).